News & Notes Inside the Week in Film

Amanda Bynes is… Sane?

There is a real market for stories about ‘troubled starlets’ ala Lindsay Lohan.  What is a media to do when the well of human train wrecks dries up?  One solution is to simply create your own.  Amanda Bynes is learning about this the hard way.

by Chris Neumer

When I first began writing about the entertainment world, as one might suspect, there was a lot I didn’t know.  Over the course of the last 15 years, I’ve acquired a lot of knowledge about the inner workings of Hollywood; some might argue, too much information.  The thing that probably surprised me the most to learn was that certain television sit-coms had joke counters.  A show-runner friend of mine told me that the networks often want a certain number of jokes per minute and that they’d have someone specifically around to count the number that were delivered each minute.

This situation could leave writers in an uncomfortable predicament if they weren’t aware of the joke count they were expected to deliver.  Getting notes to ‘be more funny’ is never easy and adding jokes after the plot material has been settled and written is a difficult beast indeed.  So, in these situations, writers would occasionally leave space for a joke.  There will write the set up for the joke and write the aftermath of the joke, but leave the actual joke writing until later.  Such is the creativity beauty of the formula.  Simply insert joke here.

If time ran out on the writing process and some of the empty joke spaces hadn’t yet been filled in, the writers would just take whatever jokes they had lying around, regardless of whether they were actually any good or not, and put them in.  And this is how you end up with a studio audience acting as if something is funny and the characters behaving as if something is funny when the material is not, in fact, funny.  There was supposed to be a joke there, we just didn’t have time to put one in, so we made due with what we had available to us.

I’ve had this phenomenon running through my head for the better part of the last few days thanks to, of all people, actress Amanda Bynes.

Bynes has been catching the attention of the American public and making headlines this year for being Lindsay Lohan-lite; she’s better for you and has half the calories of actual Lindsay Lohan.  The internet and tabloids have been having an absolute field day with Bynes.  Seemingly each new week brings more stories of Bynesian craziness; it’s only going to be a matter of time before she eclipses Lohan as a bigger train wreck.  It’s gotten to the point where each new tweet Bynes posts is cause for news outlets everywhere to wring their hands in consternation and write about it.  Earlier this week, HuffingtonPost Live did nearly five minutes on the bizarre sadness of Bynes’ twitter feed alone!

I dutifully started searching out stories on Bynes’ craziness in order to write a short piece about the woman whom most pundits and entertainment journalists state is challenging Lohan for the mantle of 2013’s Most Insane Hollywood Starlet.  As I read more and more of the articles on Bynes, I began to feel confused: none of what Bynes was doing or saying seemed that particularly abnormal.  I mean, a 26-year old actress tweeting about feeling fat or wanting to sleep with an incredibly good looking R&B singer?  Neighbors reporting that she has red mood lightbulbs in her apartment? This is something worthy of a headline reading, “Amanda Bynes’ Weird Behavior Reaching Legendary Status”?  And that’s when it hit me.  Troubled starlets sell papers and generate page views; in the absence of more legitimate troubled starlets to write about, why not simply manufacture one?

In this respect, Bynes is a perfect target for people looking to manufacture problems.  She has been in the public eye for about a decade, has had a couple of run-ins with the law—she was charged with a DUI last year and driving with a suspended license—is a tad eccentric and, best of all, is on the outs with Hollywood.  Since she is now officially retired from acting (for a second time), Bynes no longer has a team of publicists and agents out there to shine a positive light on her transgressions, nor does she have the might of the studios behind her to help things disappear; she is totally and completely on her own.

There are probably a hundred twenty-something actresses out there that would fill the generic role of ‘troubled starlet’.  All that’s needed is a smidge of controversy and an outspoken twitter feed.

When the lead of Criminal Minds, Thomas Gibson, was arrested on suspicion of DUI, the LA Times gave it a three sentence write-up with just the facts being presented.

When Bynes was arrested on suspicion of DUI, the LA Times not only reported the story, but included it in their gossip pages as well, throwing in snarky comments such as, “Yes, we did say ‘actress,’ though it’s hard to tell sometimes…”

Earlier this year, the following two tweets were posted, one by Bynes, one by fellow 27-year old actress, Anna Kendrick.  One of the tweets was deemed offensive, disgusting, raunchy and vulgar, the other puckish, loving, hilarious and funny.

“I want @drake to murder my vagina.”

“Ugh – NEVER going to a Ryan Gosling movie in a theater again. Apparently masturbating in the back row is still considered “inappropriate””

The first is Bynes’, the second Kendrick’s.

I’m not going to argue that Bynes’ statement isn’t weird, but offensive and disgusting?  Like so many other things in life, her tweet is only offensive and disgusting if you’re looking to be offended and disgusted.

Frankly, at this point in time, it’s easy to pick on Bynes.  I mean, even Lohan has called Bynes out on twitter, wondering why the media gives Bynes a pass for driving on a suspended while she does not.”  But the real question is whether the focus on Bynes is deserved or merely something for entertainment outlets to play up to garner extra page views.

Let’s see what E! has to say about things.  Amongst others in their list of “bizarro” tweets from Bynes are the following:

• Don’t read my mind read my lips

• When someone loves you, the way they say your name is different.  You know that your name is safe in their mouth.

• You are you who date

• Socks  (complete with a picture of socks)

I see.

What does Fox News say about Bynes?

“The actress’ tweet about [Drake] wasn’t her first attention-grabbing message of the week. She also mused online about baby corn, tofu and socks.”

Uh huh.

Huffington Post?

“Since moving to New York from L.A., Bynes has been acting strangely, posting weird pictures on Twitter [of her new piercings] as well as raunchy and inappropriate tweets… Considering her recent run-ins with police and out-of-control solo outings, it appears it’s time [for her family] to intervene.”

Given that Rihanna, Janet Jackson and Nicole Ritchie have their nipples pierced and that Lady Gaga was photographed with her clit pierced, people have decided to get up in arms about Bynes’ cheek piercings?  Kendrick’s tweet about masturbating in the back of a theater was funny and cute, but Bynes’ tweet about Drake murdering her vagina is vulgar and disgusting?

The media has a need for troubled starlets and enough phony outrage to propel their stories forward.  In this case, Bynes appears to have given people just enough tantalizing material to be plugged into a spot she might not otherwise be destined for.

 

It Has A Very Short Running Time Too…

Due to a unique programming choice, movie goers are able to rate and comment on the statement ‘No Films Showing Today’.  And would you believe that it has a higher rating than Argo?

by Chris Neumer

I am very entertained by everyday people subtly giving it to The Man.  It’s one thing to go to the G20 meetings and throw stones or spend a lot of time listening to The Shins and talking about the way capitalism is suppressing the middle-class.  It’s a completely different thing to lightly poke at the powers-that-be as you go about your daily routine.

One of my favorite news story of the last few years is about the man in Phoenix who has started donning a variety of animal masks while driving so that, should he get photographed speeding by speed cameras, the state won’t be able to prove that it’s him behind the wheel.  He’s not saying that he’s not behind the wheel, he’s not denying that he’s speeding, he’s simply telling the state of Arizona the burden of proof is on them to prove it.  It’s a truly entertaining read about one man legally making The Man’s life a little bit more difficult.

I stumbled onto another feel-good example of a few people taking full advantage of an unusual situation to gently stick it to The Man.  And since this example involves sticking it to the Hollywood studios, it is all the more entertaining.

There’s a recently renovated art theater on Chicago’s north side, The Portage.  (See picture to the right).  The theater harkens back to the 1920s and with more than 1,200 seats, is an absolutely enormous motion picture theater.  Since re-opening in 2006, The Portage has taken to showing a myriad different movies.  During this time, I’ve seen a handful of forties romantic comedies, monster movies, Jaws 2 and, most scarily, Point Break.  Since the theater doesn’t often programming on every day of the week, there are days where there are no films shown.  When the owners of The Portage submit their calendars to different web-sites, the days where no films are shown get listed as though there is a movie playing.  A movie called “No Films Showing Today”.

Since metromix.com and other similar web-sites allow people to rate movies and leave comments about them, this produced an interesting scenario where readers were able to rate and leave comments about nothing.  And so they did.  Three people gave “No Films Showing Today” the highest, 5-star rating possible.  One person left the following comment, “Possibly the best choice we’ve made for movie-going in years.  I wish every theatre would show this movie instead of most of the others offered…”

Well played, sirs.  Well played.

 

The Photo of the Week


This Must Be the Place #3

 

This is Sean Penn in white face, wearing a CC DeVille like wig and driving with an old guy in This Must Be the Place.  As I mentioned during each of the last two weeks, Penn’s emo-ed up glam rocker will continue to be the Photo of the Week until we run out of worthwhile photos of him to print.  I’m guessing this will happen in mid-June.

 


The 5 Things I Learned This Week

Fascinatingly true things to broaden your mind

 

1) ‘Wet’ is slang for getting stabbed.

2) It costs $3.00 to get a glass of Coke with dinner in the Taj Mahal in Atlantic City.  $3.00.

3) Vice President Joe Biden has hair plugs.

4) Porn star Jenna Jameson had a chin implant.

5) Former celebrity chef and super spy, Julia Child, was 6’2″.

 

 

This Week’s Stories

New Releases

The Baytown Outlaws

THE PLAYERS: Starring Billy Bob Thornton, Eva Longoria, and Thomas Brodie-Sangster; written by Barry Battles and Griffin Hood; directed by Barry Battles. Released by Lleju Productions. Rated R.

THE PLOT: Three brothers (Clayne Crawford, Daniel Cudmore, and Travis Fimmel) work as vigilantes for an Alabama sheriff. A witness (Longoria) offers them a hefty reward to track and kill a major drug lord (Thornton).

THE SKINNY:
– Despite the fact that every bit of marketing material out there would have you believe The Baytown Outlaws stars Billy Bob Thornton and Eva Longoria, it isn’t true.  Both actors are in the movie, yes, but in supporting roles at best.

I completely understand why the poster has Thornton and Longoria’s names atop the title and their visages as the biggest things on the poster—more people will see this film because of them than because it’s simply good—but this seems like it would be very detrimental in the long term.  Deceptive marketing practices never seem like long haul strategies and yet, here we are.
+ There is a lot of creativity, talent and perspiration behind this movie…
– … but it just feels low-budget.  There are times where the film looks and sounds like a Hollywood production, but then there are others—often during action sequences and especially when weapons are being fired—where it appears to have been shot with a different, cheaper camera and much poorer sound equipment.  This isn’t something that everyone will consciously pick up on, but will occasionally take viewers out of the moment.  It’s never easy to watch a movie where it seems obvious that you’re watching a movie.

Co-writer/director Barry Battles obviously knows what he’s doing, but sometimes it helps to have a big budget too.
+ I wouldn’t have thought it would have worked, but having a character fire two M1 assault rifles at the same time really does look cool, even it it’s beyond some many different realms of possibility.

YES, IT’S TRUE: The Baytown Outlaws references the movies The Curious Case of Benjamin ButtonRocky IV, and First Blood within the dialogue.

Freeloaders

THE PLAYERS: Starring Olivia Munn, Clifton Collins Jr., and Jane Seymour; written by Dave Gibbs and Dan Rosen; directed by Dan Rosen. Released by Myriad Pictures. Rated R.

THE PLOT: A group of freeloaders’ lifestyle is threatened when the rock star who owns the house they all live in decides to put it up for sale.

THE SKINNY:
– Uh, holy shit, this film’s running time is only 77 minutes.  Yeah, that’s less than half the running time of Zero Dark Thirty.
– This movie was completed in October of 2010… and released a mere two plus years later…
– Despite the fact that every bit of marketing material out there would have you believe The Freeloaders is the latest Broken Lizard project and that it stars Olivia Munn, neither is true.  The Broken Lizard guys helped secure financing for this and had cameos in it, but their role in production ended there.  In Munn’s case, it’s obvious why she’s the first name listed—she’s the most marketable asset the project has—but she’s hardly in the film.  If you doubt this, watch the trailer; she has one line of dialogue in it while wearing a bra.
+ Kevin Sussman and Nat Faxon are two of the most underrated comic talents working today.  I adore the style and effortless grace that both men possess.  Sussman is going to break big one of these days and people are going to wonder how he’s been flying under the radar for this long.
– As this particular group of comic talents ages, it’s getting more and more (unintentionally) funny watching them play slackers and potheads.  You’re 43 now!  Those roles should be behind you!

YES, IT’S TRUE: Before they were rock stars: Gene Simmons of Kiss was a elementary school teacher, Jack White of The White Stripes was a furniture upholsterer, and Greg Graffin from Bad Religion was a professor with a Ph.D.

John Dies at the End

THE PLAYERS: Starring Chase Williamson, Rob Mayes, and Paul Giamotti; written by David Wong and Don Coscarelli; directed by Don Coscarelli. Released by Magnet Releasing. Rated R.

THE PLOT: Two friends (Williamson and Mayes) discover a new street drug, Soy Sauce, that ables its users to travel to different dimensions. The friends must now save the world because of the creatures the drug has produced.

THE SKINNY:
+ This movie be cray.  At one point in time, a character calls another character although dead… and it works within the context of the movie.
+ Time is all relative in John Dies at the End.  John may die at the end… but the question becomes, when is the end?  It might be in the middle.  Frankly with the way that this movie plays out, its end might be in another movie.
+ Writer/director Don Coscarelli does what he does very, very well.  Nobody does what-the-hell-is-going-on-horror-comedy like Coscarelli.  See also: Bubba Ho-Tep.
– The two lead actors do look rather like one another.  Would it have killed Coscarelli to make one of them blonde?
+ Composer Brian Tyler delivers yet another supremely good score here.  If you haven’t heard his work on Bubba Ho-Tep you are missing out on a real treat.  Tyler does big well and small even better.

YES, IT’S TRUE: Though H.G. Wells is famous for his novel about time travel, The Time Machine, from 1895, he wrote a short story called “The Chronic Argonauts”, even earlier, in 1888.

The Sweeney

THE PLAYERS: Starring Ray Winstone, Ben Drew, and Hayley Atwell; written by John Hodge, Nick Love, and Ian Kennedy Martin. Directed by Nick Love; Released by Hollywood Studios International. Rated R.

THE PLOT: A London Flying Squad officer (Winstone) suspects a long-time enemy of a significant jewelry heist but cannot produce any proof.

THE SKINNY:
+ Actor Ray Winstone never gets the love or admiration he deserves.  Yes, he’s like a badass, dramatic, British version of Kevin Sussman. When it comes to high ranking gangsters who still like to mix it up or cops with a dark side, no one is better than Winstone.  In The Sweeney he plays a cop who is unceremoniously shown the door before he has a chance to get even with one killer.  So, yeah, Winstone is good here.
– The plot material here isn’t different enough to stand out.  If you close your eyes and picture a standard British crime drama involving a police officer who bends the rules a bit to get his men, The Sweeney is it.

This is really the problem as a whole for this project; besides Winstone’s talent and some sporadic action sequences, there’s nothing that worthwhile to recommend.
– It’s kind of hard for American ears to always be on top of the dialogue here.  Winstone’s brogue is thick and the slang present in The Sweeney sometimes is unintelligible.  Frankly, the best part of watching this on Blu-ray will be the ability to rewind and turn on the subtitles to figure out what dialogue you just missed.
+ The car chases in The Sweeney are pretty spectacular.

YES, IT’S TRUE: For those of you wondering, a Flying Squad officer is a Specialist in the Crime & Operations section, within the London Metropolitan Police Service.

The New Releases were written by Chris Neumer and Kayla Kinney