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DAMIEN NGUYEN: Yeah. He had this driver, well not this driver, but a personal assistant when we were in Texas, and he would just keep poking at her a little bit, just joking with her on and on and on. I don’t think he ever crossed the line to be offensive, but he kept riding her a little bit, riding her a little bit, and I think at times she was like "All right Nick, that’s enough, I’m just going to take you back to the hotel." And it was a comical moment, but unless you were there, it was one of those things where you thought, "Man, he’s really razzing her." But in the process of the week and a half he was there, he just kept poking at her and poking at her, and every time she was around he would make it a point to just say something or do something, and at one point she just looked like she was ready to blow.
CHRIS NEUMER: That’s funny when you can actually push somebody to that point, when they’re ready to blow.  DAMIEN NGUYEN: Yeah, she’s this sweet, blond girl, a type of production assistant, and a really sweet, nice girl. She could roll with the punches for the most part, but I think after the day in and day out of having to tend to him personally, it just got to "Ok, ok, now you’re pushing me." One time, there’s this line in the movie, where we’re painting the fence, the horse stall, and there’s a line in there where he’s explaining that he’s blind. And he had switched up his lines. He’s [supposed to say] something like, "And I was working in shipping and they thought it was a case of beer, it ended up being a case of dynamite." And he’d switched the words and ended up saying that he thought it was a case of dynamite and it was a case of beer. And he kept going with it, and saying that he kept drinking and drinking, and ended up blind, and he was just going with it, all serious, and we were all just staying with it, because the director hadn’t yelled cut, and we weren’t sure if he’d picked up on it or not. And he just kept going, and eventually I just ended up busting my guts. The director knew, he had known far before, but he just let it go.
CHRIS NEUMER: So that’s something to look forward to on the deleted scenes.
DAMIEN NGUYEN: I hope so. It was a great moment.
CHRIS NEUMER: You have sufficiently answered everything I’ve got, and then some. Anything else you want to add, anything you want to shoot forth, a shot out to your crew in DOC, or something like that. DAMIEN NGUYEN: No shot out. They’ve been great, very supportive; it’s just been a great moment.
CHRIS NEUMER: Well, hopefully it will end soon. | |||